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Long before they go to school, before they even know the alphabet, children begin to write. In fact, for most children, literacy begins at home . . . with a crayon.
The scribbles of very young children have meaning to them, and scribbling actually helps them to develop the language skills that lead to reading. Young children who are encouraged to draw and scribble stories will learn to write more easily, effectively, and confidently once they head off to school.
How can you encourage your children to write?
From infancy on, reading books aloud to your children is the single most important way you can help them get ready to both read and write. Hearing you read aloud gives them their first meaningful experiences with printed words, and makes them aware of how stories work. After they learn to read, writing continues to be a natural spin-off activity that contributes to their language and reading development.
In this article we offer many other ideas for encouraging preschoolers to experiment with writing, for motivating school-age children to write more, and for involving the whole family in writing at home.
Supplies and Space
Children don’t need special tools or fancy equipment to write! Fresh supplies and an inviting workplace can provide inspiration. Here are some suggestions:
Everday Writing
Like reading, writing can become a natural part of your family’s everyday activities. Your regular household activities are great for putting childrens’ writing skills to good use.
Writing Before Reading
Rejoice in your children’s early attempts at writing. Keep in mind that spelling, correct letter formation, neatness, and how your children hold their markers or pencils don’t matter now! Those skills will come naturally, in time. Respond now to the ideas they are trying to express, and accept whatever they write with praise.
Here are some playful activities that will nourish your preschoolers natural fascination with writing:
Encouraging Older Writers
Beginning writers become more fluent and mature writers only with practice. You don’t want to force them to put their pens to paper, but you can certainly help them find extra opportunities and the inspiration to write at home.
Journal writing. A gift of a journal or diary is a way to get young people into the habit of writing daily. A journal begins the writing process, and may be the source of ideas for a new poem or story. Journals also provide a private outlet for emotions.
Books about writing. Ask a librarian to help you find storybooks in which writing is important to the plot or character development, as in Dear Mr. Henshaw by Beverly Cleary, Harriet the Spy by Louise Fitzhugh, or Mostly Michael by Robert Kimmel Smith.
Letter writing. Encourage your children to correspond regularly with long distance friends and family, or become pen pals. Supply them with stationery (or the materials to make their own), envelopes, postage stamps, an address book, and a box for saving letters. For variety, suggest that they design their own postcards.
Gifts of writing. Greeting cards with personal messages and poems are more meaningful when they’re homemade, rather than store-bought. An older child may enjoy the challenge of writing a ballad or song lyrics in honor of a special someone or occasion. Homemade books and calendars also make nice gifts of writing.
Publishing. All writers young and old dream of having their work published. School newspapers and literary magazines are a good first start. Serious writers may want to submit stories and poems to a national publication devoted to children’s writing. Many other magazines for young people run writing contests or have special departments featuring their readers’ letters and contributions.
Family Writing
Although writing is usually an individual effort, some writing projects can invite family collaboration. Here are a few ideas that encourage family involvement:
Holiday letters. Around the winter holidays, some families send all their distant friends and family copies of one long letter recounting events of the past year. Your children can contribute to this kind of holiday greeting.
Family newsletters. Some extended families keep in touch through a family newsletter. Perhaps your family can volunteer to become reporters and gather news and photos by phone or mail from your relatives. Your staff writes up news stories, assembles the newsletters, and makes photocopies to send out to other family subscribers.
Scrapbooks and photo albums. Keep souvenirs of your family activities in an album. Ask your children to help you write in dates and captions.
Travel journal. When you take trips for a day or longer, keep a journal of where you go and what you see. Have your children contribute written descriptions and drawings to the journal.
Writing to each other. Encourage personal correspondence within your family. For example:
More than anything else, be an enthusiastic audience for the writers growing up in your family. Encourage them to share their writing with you, while respecting their need to keep some writing private. Comment on their writing in ways that are thoughtful but uncritical. Make your children feel confident that, as writers, they always have your interest, admiration, and support.
A toolbox of skills to give teachers and students a common vision for revision.
Julio scans his teacher’s comments on his short essay with increasing perplexity and frustration. He sees the words “Vague. More needed here.” Further down he spots the indecipherable comments “Awk” and “Frag” along with marks on the paper indicating spelling, grammar, or punctuation problems. His grade reads “B-; Good start, but please revise.”
Good start? Revise? Julio had thought he was done. He’d worked hard to include information about the topic, and had checked the spelling and punctuation. Now he’s completely mystified about what to do next.
The Dreaded Word: Revision
Julio’s dilemma is one that student writers face every day. He has learned editing skills over the years, but very few revision strategies. He turns in multiple drafts that look much the same because he has not yet built the toolbox of skills he needs to improve his work from the inside out. And because even the idea of reworking the text feels overwhelming to him, he is content to work only on the exterior, putting on a fresh coat of paint and washing windows when what is really needed is a complete remodeling job.
What’s missing for Julio and scores of other students is clear communication about the revision process. They and their teachers have not yet discovered the power of a shared vocabulary and a common vision of what good writing looks like. Vague terms, lack of specificity, and an abundance of red pencil marks make it harder to write well, not easier.
The 6 + 1 Traits of Writing offer a solution to this teaching challenge. As students learn the traits, they find that the first five deal with revision, the last two with editing. This breakdown alone is a big step toward understanding how to revise effectively. Here are explanations of each trait, along with a few helpful activity ideas to get your students started on the road to successful revision.
1. IDEAS
The meaning and development of the message, or what the paper is trying to say. Activity: Pick A Postcard.
Find a set of postcards related to a single topic such as dogs, beach scenes, or city buildings. Give each student a postcard. Ask them to write a paragraph about the image that is so descriptive, readers will easily be able to identify the postcard in the set. Then display all of the postcards. Have students read their paragraphs aloud and see if classmates can guess the card. Explain that the more specific and colorful the details, the quicker the match.
2. ORGANIZATION
The structure of the piece; how the paragraphs are ordered; how the paragraphs flow from one to the next. Activity: Ten Minutes Only.
Ask students to draft a story that takes place within a short time frame, ten minutes maximum. Keep an eye on the clock and, every two minutes, tell students to move on to a new event. This activity gives them practice using transitional words and also helps them move their pieces along in segments, developing the action with an eye toward pacing.
3. VOICE
The way the writer brings the topic to life, depending on the intended audience. Activity: New Voices, New Choices.
Have students write the first sentence of a letter to five different audiences. If students are studying the effects of global warming, for instance, ask them to write to the local newspaper, their grandmother, an anti-environmentalist, a friend, and the president of a local consumer-rights group. Discuss how the voice will change depending on the intended audience.
4. WORD CHOICE
The specific vocabulary the writer uses to convey tone and meaning. Activity: Rice Cakes or Salsa?
As students write, teach them to ask, Is this a ‘rice cake’ word or a ’salsa’ word? ? Every paper should have salsa words! Use this analogy frequently. One teacher recalls that as she was dismissing class, she said, “Have a nice afternoon and evening.” To which a few students replied, Nice is a rice cake word! ?
5. SENTENCE FLUENCY
The way the words and phrases flow throughout the text. Activity: Music to Our Ears.
Use the music of classic works such as Peter and the Wolf and Carnival of the Animals to develop sentence fluency skills. Play a piece of music for your students to enjoy. Then play it a second time and ask them to pick a section and write a description of what they think is happening. Challenge them to capture the fluidity of the music in their writing. From Peter and the Wolf, one sixth-grade student wrote: “I could really tell when the scary part was coming. The music sped up and I felt myself tensing up until BAM, the wolf pounced.”
6. CONVENTIONS
The mechanical correctness of the piece. Does it follow all of the basic rules for grammar, spelling, punctuation, and capitalization?
+1. PRESENTATION
The overall appearance of the work. Is the essay cleanly presented with appropriate margins? Does it have eraser marks on it? Are the pages clearly numbered?
When teachers bring the Traits into their classrooms, piece by piece, day by day, the whole picture of how to create strong, imaginative text is revealed. The Traits allow students to practice revision in small, manageable pieces, building toward competence and independence as they go.
Imagine this scenario: Julio gets his paper back from his teacher. He knows that the word choice in the piece is strong because he went through and changed passive verbs to active ones. He looked for dull, uninteresting words and changed them as he worked with his writing group. Now he reads what the teacher wrote on his paper: “Julio, the words in this paragraph are particularly strong. It really works when you write, ‘The grasses swayed in the summer breezes like the curtains at my open window.’ Good work with verbs, too. Now, let’s talk about getting some sentence variety in your next piece.”
And when Julio looks at his grade? It’s five out of five points because the class was working on word choice, so that’s what was evaluated. There’s plenty of time to assess for those sentences next time-after some specific instruction in the Sentence Fluency Trait. After Julio works through the Traits, he has a chance to learn how to write using each of them individually, in pairs, and then as a whole group. He learns specifically how to make his writing strong, revises, then gets a final grade. I wonder what it might be.